In this seminar, we will develop the oud technique through its practical role in the musical traditions of rebetiko and Asia Minor song as well as technical issues related to the basic infrastructure of musicians on the instrument.
As a reason for the above, pieces from the above repertoires will be used and taught, with special emphasis on the methodology of how to receive them. Finally, given that the above musical traditions and the oud as a use, are related to the theoretical system of makam, there will be an obvious presentation of the concept of makam and much more, the emergence of its practical use in the interpretive thinking of the musical act, either it concerns compositions such as songs, or it relates to improvisation known as taximi.
The seminar is open to anyone interested regardless of their level and there will be of an experimental nature in order to interact with the needs of the participants.